<![CDATA[athmyr - Mia Bickerton - ILLU5060]]>Tue, 06 Jun 2023 18:52:41 +0100Weebly<![CDATA[Week 11: Academic Writing and Harvard Referencing]]>Tue, 10 May 2022 22:46:22 GMThttp://athmyr.grillust.uk/illu5060/week-11-academic-writing-and-harvard-referencingNotes From The Lecture
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<![CDATA[Week 10: The Research Journey]]>Wed, 27 Apr 2022 12:01:13 GMThttp://athmyr.grillust.uk/illu5060/week-10-the-research-journeyLecture Notes
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<![CDATA[Week 9: The Critical Designer]]>Wed, 27 Apr 2022 11:55:19 GMThttp://athmyr.grillust.uk/illu5060/week-9-the-critical-designerLecture Notes
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<![CDATA[Week 8: Post Modernism & Visual Culture]]>Wed, 23 Mar 2022 13:11:07 GMThttp://athmyr.grillust.uk/illu5060/week-8-post-modernism-visual-culture​Lecture Notes
Key Points From the Text
​Glossary
After Modernism - That modernism has run its course or that a complete knowledge and history of modernism has been surpassed by a new age. 
Anti-foundational - Rejection of rationalism, truths, certainties, doctrines and unstable belief systems. 
Anti-Modernism - Reaction to the failures of modernism, a questioning of the 'ideological bias' of all history and knowledge, and scepticism towards the grand political schemes of modernism.
Determinism - How science and technological innovation affect the production of cultural texts.
Modernism as meta narrative - A story of the arts in the 20th century (told by key cultural figures) which has a clear sense of hierarchy and order.
Double Coding - Any sign or text which is open to two different interpretations depending on the frame of reference which is used to interpret it.
Hyper-Reality - A concept proposed by Jean Baudrillard that captures the inability of consciousness to distinguish reality from a simulation of reality.
Intertextuality - The relationship between texts.
Mediation - Life lived on and through a screen. 
Nostalgia - A sentimental longing or wistful affection for a period in the past.
Parody - An imitation of the style of a particular writer, artist, or genre with deliberate exaggeration for comic effect.
Pastiche - Images are presented without context or meaning.
Post Modernism - Describes the time we're living through.
Post-truth perspectives - The distrust in fact/expert opinion. That truth is relative, contested, not absolute. Replaced by 'authenticity'
Rationalism - Science replacing religious doctrine.
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<![CDATA[Week 7: Global Culture & Ethical Design]]>Wed, 16 Mar 2022 11:41:06 GMThttp://athmyr.grillust.uk/illu5060/week-7-global-culture-ethical-designLecture Notes
Example Of  An Artist Who Takes a Strong Ethical or Political Stance in Their Work
Foka Wolf is an anonymous artist from Birmingham who creates satirical artwork as a way to express his views in politics as well as hitting on many big other issues. He mainly makes parodies of advertisements from large corporations that don't shy away from bringing up the harsh reality of what those companies are contributing to, using his artwork to attack societal issues such as gentrification and corporate greed. In his interview with Time Out Magazine (Brennan, 2019) he discusses how he views his work as 'misinformation', an exaggerated version of the fake news that is prolific in our society that has helped to be pushed by the rise in technology.





Brennan, J (2019) 'Meet Foka Wolf, the Birmingham Banksy', Time Out, Available at: https://www.timeout.com/birmingham/things-to-do/foka-wolf-interview (Accessed: 16 March 2022).
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<![CDATA[Week 6: Gender & Identity]]>Wed, 09 Mar 2022 11:33:40 GMThttp://athmyr.grillust.uk/illu5060/week-6-gender-identity​Lecture Notes
Key Information from the Text
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<![CDATA[Week 5: Subculture & Style]]>Wed, 02 Mar 2022 11:34:01 GMThttp://athmyr.grillust.uk/illu5060/week-5-subculture-style​Lecture Notes
Defining What a Subculture Is
Hebdige (1979, p.136) ​defines the formation of the term subculture in his book by stating 'we have had to expand our definition of culture to cover all those expressive forms which give meaningful shape to group experience'.

Hebdige, D. (1979) Subculture : the meaning of style. London: Methuen.

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<![CDATA[Week 4: The Graphic Code of Comic Books]]>Wed, 23 Feb 2022 20:30:47 GMThttp://athmyr.grillust.uk/illu5060/week-4-the-graphic-code-of-comic-booksLecture Notes
Researching a Comic Artist of My Choice & Analysing a Page of Their Work
John Ridgway
Ridgway is a british comic artist distinctively known for his unusual realism paired with a sketchy use of linework. He is responsible for creating the look for the Hellblazer series and has worked on iconic characters such as Doctor Who and the Incredible Hulk.
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<![CDATA[Week 3: Decoding Advertising]]>Wed, 16 Feb 2022 12:39:20 GMThttp://athmyr.grillust.uk/illu5060/week-3-decoding-advertisingLecture Notes
​Key Points from the Text
Jonathan Bignell Deconstructing Advertising: Media semiotics pp 28 - 39
Semiotic Analysis of a Modern Magazine Ad
Literal Linguistic Message:
  • Text is black on plain white background​
  • Blocky, bold text 
  • Includes brand tagline
  • A 'thoughtful' quote
Connotative Linguistic Message:
  • 'Look after it for the next generation' suggests you should buy it for your kids, guilt into thinking you are being considerate to them? Make you feel better about spending so much money on something because you can pass it on?
  • 'Begin your own tradition' gives a sense of nobility, a great thing to start for your lineage
Denotative Image Signs
  • Photograph of father and son - black and white
  • Simple layout, only colour is used for logo
Connotative Image Signs:
  • The father and son are close, suggesting brought together by the watch
  • At first glance it could look like the son is wearing the watch since the two arms are in the same position
  • Thoughtful, wistful expressions on both the father and son making it look like a touching moment
  • The use of a black and white photograph gives it a luxurious and old fashioned look. Makes the brand and watch feel more expensive as its a 'classic'
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<![CDATA[Week 2: Reading Words & Images]]>Wed, 09 Feb 2022 20:14:50 GMThttp://athmyr.grillust.uk/illu5060/week-2-reading-words-imagesLecture Notes
Key Information from the Text
Scott McCloud: Making Comics p128-138
Roland Barthes: The Photographic Message p15-27
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