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ILLU5060

​The Critical Illustrator

Week 4: The Graphic Code of Comic Books

23/2/2022

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Lecture Notes
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Researching a Comic Artist of My Choice & Analysing a Page of Their Work
John Ridgway
Ridgway is a british comic artist distinctively known for his unusual realism paired with a sketchy use of linework. He is responsible for creating the look for the Hellblazer series and has worked on iconic characters such as Doctor Who and the Incredible Hulk.
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Week 3: Decoding Advertising

16/2/2022

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Lecture Notes
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​Key Points from the Text
Jonathan Bignell Deconstructing Advertising: Media semiotics pp 28 - 39
Semiotic Analysis of a Modern Magazine Ad
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Literal Linguistic Message:
  • Text is black on plain white background​
  • Blocky, bold text 
  • Includes brand tagline
  • A 'thoughtful' quote
Connotative Linguistic Message:
  • 'Look after it for the next generation' suggests you should buy it for your kids, guilt into thinking you are being considerate to them? Make you feel better about spending so much money on something because you can pass it on?
  • 'Begin your own tradition' gives a sense of nobility, a great thing to start for your lineage
Denotative Image Signs
  • Photograph of father and son - black and white
  • Simple layout, only colour is used for logo
Connotative Image Signs:
  • The father and son are close, suggesting brought together by the watch
  • At first glance it could look like the son is wearing the watch since the two arms are in the same position
  • Thoughtful, wistful expressions on both the father and son making it look like a touching moment
  • The use of a black and white photograph gives it a luxurious and old fashioned look. Makes the brand and watch feel more expensive as its a 'classic'
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Week 2: Reading Words & Images

9/2/2022

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Lecture Notes
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Key Information from the Text
Scott McCloud: Making Comics p128-138
Roland Barthes: The Photographic Message p15-27
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Week 1: Semiotics

2/2/2022

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Lecture Notes
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Links from Lecture
Wrestling: Big Daddy VS Giant Haystacks 1981
Dimensions of Dialogue by Jan Švankmajer
Key Information from the Text
Jonathan Bignall: Media Semiotics p5-17
Roland Barthes: The World of Wrestling from Mythologies
Reading this text, I was able to gather a more in depth understanding of the complexities of wrestling and how it is very much a social commentary. I think that the most prominent factor of it is the underlying fight between good and evil, how the audience will not care about how 'fake' or 'exaggerated' the action may be so long as the underdog defeats the immoral villain. The use of contrast in a more realistic fight between major matches to make the viewers feel moved by their 'fair play', when they would have been bored had every fight been like that, shows an interesting view of how a large part of society thinks.
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    Mia Bickerton

    ​ILLU5060
    ​The Critical Illustrator 

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